Fast And Loose 9059 (2269)
Wednesday, September 26, 2007-1:40 A.M.
I know it's a little early in the season for a horror story, but here goes....
I worked in Connecticut this past week, which for those of you keeping track, is my 22nd state this year, and you should know that working a lot of different places usually makes me happy.
And actually, this trip was making me happy until the very end....here are the details.
I took off from Rochester on Thursday morning and had an uneasy feeling about this roadtrip; too many loose ends were hanging. I was working two consecutive nights for two different bookers, and I didn't have an itinerary for either of them. I put one together for myself using all of the information, but it was still just put together by me, and I didn't feel "ready" to leave the house without all of the info coalesced on one document.
I picked up Ray Salah, my best friend for the last 19 years and my opener for Thursday and Friday nights, and off we headed on our six-hour journey into Connecticut. The drive was easy, although New York State raped us on the Thruway tolls, $9.90 one way....thank you, New York. No wonder businesses are leaving the state by the dozen.
We got to the Motel 6 in Niantic, Connecticut around 5:30 P.M., more than enough time to catch a nap and shower up and get ready for the big show. We were playing at a place called Raya's in Gales Ferry, CT, booked and hosted by Connecticut comic Dave Zamoider. Dave's a new jack in the business, and when I put the word out on the internet that I was looking for a companion gig to my Friday engagement, he put together a show for me, which was very much appreciated.
Raya's is an Italian restaurant owned by a middle-eastern man named Muhammed. It was sparsely attended, but the sound and lighting were decent and the folks who hung out mostly paid attention to the show. Ray went up and did his thing after Dave's mc set, and I was looking forward to a good barroom show.
Five minutes in, one of the chains holding one of the long lamps over the billiard table gave way, sending the Budweiser light crashing to the slate top of the pool table. It was just a sign of things to come.
I soldiered on through my show, which becamean open forum for discussion. Don't get me wrong, I enjoy interacting with the crowd, but this wasn't even heckling, they were talking to me like we were at a cocktail party! I'd get them with a laugh, and then they had stories to tell. At one point, a birthday cake came out, and Muhammed *shushed* me so they could sing "Happy Birthday."
The high point of the evening was meeting Dave, and Liz, the bartender, a 26-year-old lass who sported a unique tattoo on the back of her right shoulder; it was a heart with a nail through it. The tattoo, she explained, was relevant because it represented all the pain she had gone through, and it's placement represented that it was all behind her. I would never personally get a tattoo, but if I did, it would have to be one such as this, with an actual pertinent meaning. She was delightful to meet and to speak to, and making the acquaintance of people like her, even if only for a short time, is one of the reasons I truly enjoy my job.
The next day we dragged our feet checking out of the hotel, cadging a late check-out by virtue of not leaving on time, and we headed out to lunch and then the library to use the internet (my laptop is in the shop, being de-virused by The Geek Squad), and then we started off on a tour of Central Connecticut's thrift stores. I found five good ones in the phone book, mostly in New London and Norwich, and we started off on our journey. I wound up finding quite a few books that I expect to sell for a profit on the internet (a great way to kill time while on the road), and after a series of twists and turns, we started out towards Marlborough, CT, home of the historic Marlborough Tavern.
We didn't get a hotel for the gig as one was not provided, and we planned on just doing the gig and driving the five and a half hours home. We got started promptly at 8:00 P.M., and started performing for the 40-some-odd patrons in the room. They were enjoying the show, and every so often, John, the manager (who I found to be of the stiff-upper-lip, soft spoken New Englander variety), would pop his head in the room to see how things were going, and the crowd would always get quiet, like the proctor for an exam had just caught them cheating on a test.
A little while later, at the 50-minute mark, I was closing up, planning on doing an hour, and Ray popped his head in the room and said, "Ralph, you have to get off stage NOW." I was a little concerned because I was in the middle of an oral sex bit, and I was wondering if I had somehow crossed the line or something. Come to find out, the booker had a headliner not show up at another gig about half an hour away, and I was being redeployed.
Ray and I piled into the car and headed to Uncasville, CT, home of the Polish American Club, where Ray and I had performed together two years ago. We were greeted by the club manager, a gentleman whose name I forget, but face I would easily remember. He was an electrician, and earlier in the week a transformer blew up in his face, leaving his forehead and cheeks pocked with a scarring that looked like a strawberry dipped into chocolate sauce. He was wearing goggles, so a raccoon mask of pink flesh ringed his eyes, causing him to have a very intimidating stare.
On stage was Sheila Van Dyke, a comic out of Boston who I'd never worked with before, but had communicated on the internet with. She was rocking the room with what turned out to be an hour of her act, and she wrapped it up and let me take the stage. I did about 35 minutes, as requested by the booker, and closed up. The show had started late, about 45 minutes, and then gone an hour and thirty-five, plus whatever time the mc had done. The sound system wasn't very impressive, either; it sounded like mud coming through three pairs of panty hose.
After the show, I was shaking hands and kissing babies, selling CD's and talking to the folks, and unfortunately for me, I happened to be in earshot of the conversation between the manager and the booker's man-in-the-field, Dave. Dave was basically being told in no uncertain terms that the manager was not satisfied with the services rendered, specifically the sound being bad, the show starting late, and the slipshod manner in which reserves were called in. Luckily, none of this reflected on Sheila, myself, or the mc whose name I don't think I ever learned.
So now it's a regular cluster-fuck, with Dave calling the booker on his cell phone and trying to communicate his problem, and the booker insisting that he not leave until he collected the money due. Scarred-up guy was going back and forth with another gentleman who I think might have been his brother, and his brother was advocating for the comics...we did our job, we should be paid. At that point, I just wanted to get out of there, follow Dave back to the gig in Marlborough, and collect my money and drive home. These situations are rarely solved properly in an evening.
So scarred-up guy starts going to the comics one by one, asking us specifically what we were supposed to be paid. He grabbed the mc first, and the kid didn't know any better so he spilled his guts. Sheila had money coming from another gig she had worked that was part of the budget, plus the money for this show, so she shot off a figure. When it came to my turn, I basically just reached into my pocket and drew out the index card that Ray had scribbled his notes on back at the Marlborough Tavern...."35 minutes, $175." I handed the card to the manager. He took my home address and promised me a check, which was fine with me...I just wanted this manic night to be over. Basically the three numbers he received was about half the budget for the gig, and he was pretty sure he was being overcharged. Also, he didn't like the idea that he was paying one of the comics for a show they did somewhere else....I guess that wouldn't sit very well with me, either.
I helped Dave out with his sound gear, hoping to get him moving back to Marlborough, 30 minutes to the northeast, to collect the money, pay Ray and myself, and let us begin our five and a half hour drive home to Rochester. While I was helping Dave load the gear into the truck, the manager's brother came out and handed me cash. They asked me to come back into the club and sign a receipt, that I had been paid, which I did. We headed back to Marlborough, with Dave in the truck behind us, and we got back to the Marlborough Tavern, which was closed, but with a few employees finishing up their closing duties. Dave collected his envelope, paid Ray and myself, and we wished him well and drove back to New York.
Long story short, but I guess it's too late for that, when I got back to Rochester, I got an e-mail from the booker that basically said "Thank you for working the other gig, I'm glad you got your money, you're not supposed to talk money with the account, it's not your place, you won't be working for me again."
I've worked for this booker exactly three times in the last four years. I guess I'm upset because none of what happened really was my fault, if anything, I'm the guy who road in on the white horse and took the place of the comic who was originally booked to close the room. My sin was talking money with the client, who was unhappy to begin with, and bottom line, was going to argue the point that he didn't get what he paid for regardless of what he was given. Part of the conversation that I did hear was that Dave tried to calm scarry-face down by telling him that they had already come down $75 on their commission....well, that's basically the difference between what I made closing the first gig in Marlborough and the second one in Uncasville...so they basically came down on their commission by trimming it off the headliner budget, i.e., me.
And I'm fired.
Well, again, I'm disappointed that somehow I'm the bad guy here, although I communicated with Sheila online and she was fired, too, and misery loves company, I guess. All I know is that I responded back to the booker's e-mail in an even, respectful tone, explaining my position. This is a business, and if you conduct business poorly, it will come back to haunt you. The Bible says "Your sin will find you out," and if you're playing fast and loose with the budget with a client, eventually, something will happen and if you're overcharging, then you will have to explain yourself.
This week, it's off to the Pittsburgh Funny Bone, and it's the first time I'm working the club, sharing the stage with Matt Davis from Charlotte, North Carolina, and it's none of your business what I'm making!
Yours Sincerely from the Connecticut Unemployment Line,
Ralph Tetta
Rochester, NY